He has been writing, performing and staging various shows of this group since 2005. He is the founder and artistic director of the theater group Gambozinos and Peobardos based in Vela, a small village near Guarda. In 2011, he integrate o Bando’s team in staging assistance to Anatoly Praudin in the show PEDRO E INÊS. He studied Artistic Studies, with specialization in Theater at the Faculty of Letters of the University of Coimbra. His involvement with the theater begins very early, at 5 years old in the amateur theater group called Teatro à Vela in a small village with 300 inhabitants. Since the 2019/20 season, she has been working as a dramaturge for the Children’s and Young People’s Theatre (KJT) at Theater Dortmund.īorn in 1988. Her own works are created at the interface of theatre, installation and sound art, often as interventions in urban space and are strongly influenced by the local conditions of the place of creation. With her collective fuchs&flaneure, she produces audio walks and projects in public space. She worked for various theatre and film festivals and was a guest director and dramaturg at the Schauspielhaus Zurich, the theatre and performance festival Foreign Affairs in Berlin, the Deutsche Oper am Rhein in Düsseldorf and the Staatsschauspiel Hannover, among others.Īt the Osnabrück Theatre, Milena Noëmi Kowalski took on dramaturgies for drama and dance, realised city projects and was involved in the Spieltriebe 2017 festival. Milena Noëmi Kowalski, born in Stuttgart, studied scenic arts with a focus on contemporary theatre, literature and media at the University of Hildesheim and dramaturgy at the University of Music and Theatre „Felix Mendelssohn Bartholdy“ in Leipzig. Failed dialogues with Nature site-specific performance in natural spaces on the relationship between man and nature (2020) Smooth borders interdisciplinary performance between historical dances and forms of the contemporary (2020) I’m not here urban audioperformance on the relationship between historical memory, human bodies and architectural bodies (2019) STUDIES ON PROVIDENCE (Nun of Monza and Betrothed by Giovanni Testori), among the 10 best shows of the 2015//18 season according to MilanoTeatri The pleasure of meeting you performances on sex and politics of the body with performers under 18 and over 70 (2018). Collective fresco of bodies in crisis video-performance starting from a collective visual diary of the Pandemic Inside | Me. Among her performative works: Thinking Blind finalist performance BIENNALE TEATRO 2021 – International performance section under40 ISLANDS performance included in the “Mediators of the Real” project winner of the SIAE – PER CHI CREA competition with the contribution of ERT-Emilia Romagna Teatro Black Ox and 20/20 performance of Body History: corporal history of Mussolini and the Red Biennium, winners in 20 of Emilia Romagna Region Call for Memories Foreign Bodies. She trained as an actress and performer in Naples, with Pierpaolo Sepe, Carlo Cerciello, Antonio Latella, Michele Monetta, Yves le Breton, developing a critical and experimental vision of theater. Ivonne i performer, actress and director. In 2021 he is also holder of a Nowy Theatre scholarship (granted for innovation in the dramaturgy techniques and modern thinking about dramatic structure of the theatre performance).
#Playon scripts 2018 series#
Plan sytuacyjny” that is series of dramatic and interactive hypertext reportages about Warsaw houses. In 2021 he is holder of a Warsaw art scholarship and creates the project „Dom. He directed on-line play „Kochanowski” (National Stary Theatre in Kraków) and performance „Altar Boys” (Academy of Theatre Arts in Kraków). Artifacts” directed by Mira Mańka (National Stary Theatre in Kraków), „Work, work” directed by Ewa Mikuła (Academy of Theatre Arts in Kraków), „The Brothers Karamazow” directed by Marta Streker (Ludwik Solski Theatre in Tarnów) and „A Safe Place” directed by Tomasz Fryzeł (Łaźnia Nowa Theater).
He was the dramaturg and writer/co-writer, among others, for „Community” directed by Marta Streker (Jerzy Grotowski Institute), „Czartoryska. 37-50” directed by Michał Zadara (Nowy Theatre in Warsaw, 2018). He debuted as a dramaturg with „The Bible. 5th-year dramaturgy and theater directing student at the Academy of Theatre Arts in Kraków and a graduate of polish philology at the Adam Mickiewicz University in Poznań. Piotr is writer, dramatist, director, culture animator and illustrator.
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